By Art Shiver
Clementine Hunter (1887-1988) painted on a daily basis from the Nineteen Thirties till numerous days ahead of her loss of life at age one zero one. As a cook dinner and household servant at Louisiana's Melrose Plantation, she painted on countless numbers of items on hand round her--glass snuff bottles, discarded roofing shingles, ironing boards--as good as on canvas. She produced among 5 and 10000 work, together with her so much formidable paintings, the African residence work of art. Scenes of cotton planting and harvesting, washdays, weddings, baptisms, funerals, Saturday evening revelry, and zinnias depict reports of daily plantation lifestyles alongside the Cane River. greater than a private list of Hunter's existence, her work additionally mirror the social, fabric, and cultural facets of the area's higher African American community.
Drawing on archival study, interviews, own records, and an in depth dating with the artist, paintings Shiver and Tom Whitehead provide the 1st complete biography of this self-taught painter, who attracted the eye of the area. Shiver and Whitehead hint Hunter's formative years, her encounters at Melrose with artists and writers, comparable to Alberta Kinsey and Lyle Saxon, and the position performed via eccentric François Mignon, who inspired and promoted her paintings. The authors contain infrequent work and pictures to demonstrate Hunter's inventive strategy and talk about the evolution of her style.
The e-book additionally highlights Hunter's effect at the smooth paintings international and offers perception right into a decades-long forgery operation that Tom Whitehead helped discover. This fresh realization strengthened the individuality of Hunter's artwork and proven her position within the overseas paintings neighborhood, which remains to be encouraged by means of the lifestyles and paintings of Clementine Hunter.
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Additional info for Clementine Hunter: Her Life and Art
Sample text
Was in fact born on May 9, 1899, in Cortland, New York, to Walter Fish Mineah and Mary Ella Mineah. —Oliver Ford, researcher All this happened more or less. —Opening line to Kurt Vonnegut’s novel Slaughterhouse-Five clementine hunter’s move to melrose plantation proved to be the most significant event in her life. Unquestionably, the second most important event occurred when François Mignon moved from New York City to live at the plantation. Mignon’s early recognition of Hunter’s art, coupled with his willingness to promote the artist and her work, set her on the road that took her from unknown domestic servant to one of the most celebrated self-taught African American artists.
Mignon and Belle traveled on to New Orleans with Saxon but stopped briefly at Melrose to visit Cammie Henry before returning to New York. Mignon was only forty years old, but his eyesight had begun to fail. Cammie Henry, obviously impressed with him, saw an opportunity to lend a helping Fig. 15. François Mignon, ca. 1972, holds a copy of his book Plantation Memo: Plantation Life in Louisiana. thomas n. whitehead. 34 The Remarkable and Enigmatic Mr. Mignon hand. She wrote numerous letters begging Mignon to leave New York City and come for an extended visit at Melrose.
The brandiller, from the French verb to shake, was a makeshift swing hung from a tree branch. Women could 19 Clementine Hunter be sure their babies would be safe, swinging back and forth in the breezes. “One day a friend of mine, Ethel, had her baby in a branie,” Hunter recalled. “We looked back and the whole thing was on fire. The baby and the branie both burned up. What happened was a bird picked up a lighted cigarette and dropped it right on the cradle. ”17 Hunter said after the unfortunate incident Ethel went home, and the other women went back to work.