By James D. Keyser, Michael A. Klassen
The sector stretching from northern Colorado to southern Alberta and from the Rockies to the western Dakotas is the land of the Cheyenne and the Blackfeet, the Crow and the Sioux. Its grasslands and river valleys have nurtured human cultures for hundreds of thousands of years. On cave partitions, glacial boulders, and riverside cliffs, local humans recorded their ceremonies, imaginative and prescient quests, battles, and day-by-day actions within the petroglyphs and pictographs they created on stone surfaces.
Some websites have been sincerely meant for communal use; others sincerely mark the incidence of a personal religious come upon. Elders frequently used rock paintings, corresponding to advanced depictions of searching, to coach conventional wisdom and talents. different websites rfile the drugs powers and courageous deeds of recognized warriors. a few Plains rock paintings is going again greater than 5,000 years; a few varieties have been made consistently over many centuries.
Archaeologists James Keyser and Michael Klassen exhibit us the origins, range, and wonder of Plains rock artwork. The possible never-ending number of pictures comprise people, animals, guns, mask, mazes, handprints, finger traces, geometric and summary varieties, tally marks, hoofprints, and the wavy strains and starbursts that people universally go together with trancelike states. Plains Indian Rock artwork is the last word advisor to the paintings shape. It covers the usual and archaeological background of the northwestern Plains; explains rock artwork types, ideas, types, terminology, and courting; and provides interpretations of pictures and compositions.