By Troiani, I. and Oxford Brookes University. Department of Architecture
The yearbook showcases a number of the pupil paintings conducted throughout the 2006/2013 educational years – together with undergraduate studios, degree and Masters studios and programmes, and learn levels – and in addition supplies a image of our study and different actions, in addition to the paintings of the RIBA Office-Based exam applicants. Oxford Brookes used to be lately named through the a hundred top architectural practices within the united kingdom because the most sensible structure tuition outdoor London and the quantity college total. the paintings provided the following it isn't demanding to work out why our graduates are so hugely regarded...
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For the remainder of the semester the students were given a site in Borough Market in London, where they were asked to create an intervention based on brand identity around an interior design concept The second year students further investigated the notion of culture and society by designing a new cultural institution, intended as an addition to the Oxford Brookes University campus. Unit Tutors: Andrea Placidi, Ricardo Assis Rosa, Orit Sarfatti Students Year 02 Interiors: Camilla Andresen, Sarah-Jane Bushen, Samaneh Arghavani, Matjaz Dolnicar, Sara Dudgeon, Lindsay Duncan, Jordan Enaboifo, Aleem Jamal, Hannah Kayes, Annabel Knightley, Macsen Lake-Edwards, Thomas Mansfield, Jennifer Moran, Victoria Morton, Laura Oliver, Shiva Pouryousef Khameneh, Andrea Roe; Year 03 Interiors: James Evans, Heidi Gillett, Harriet Holliday, Thea Jacobsen, Genevieve Jayne Peel, Laura Pickervance, Caroline Sistelli, Monique Wyrley-Birch; Erasmus: Zaineb Ben Nasr, Quirin Gockner Guest Critics: Fabio Quici (Universita’ di Roma La Sapienza), Christian McLening (Aston University); With thanks to: Ecole Nationale D’Architecture Paris-Belleville, Univerity Saint Joseph Macau Heidi Gillett: The Bread Company.
For this they conducted an inquiry of architecture primarily as experiential. Could our clients (Marines damaged from exposure to conflict) find that rehabilitation is assisted by an engaging architectural solution? Could the constructing process itself be a form of therapy? The TRADA Pavilion was conceived as a deployable structure; a pavilion to be reconfigurable as waterborne transport and then a shelter. This device became a catalyst for understanding site, the coast and island forming Wembury Bay, Devon.
Students developed briefs from obsessions, experience, and skills, evolving designs through iteration: model-making, testing, drawing, testing, model-making … event mapping interventions in the downland landscape of the ridgeway wayside workshop; the choreography of making to inspire a ridgeway workshop slice of Naples a field trip dissection of a city: above - teeming, noisy, corrupt; below - void and shadow. Performance combines place, community, making and performance, calibrated by local demand and seasonal change in Avebury.